Chapter
XII : ANNANDALE
Rather
than love, than money, than fame, give me truth. I sat at a table where were rich
food and wine in abundance, an obsequious attendance, but sincerity and truth were
not; and I went away hungry from the inhospitable board. The hospitality was as
cold as the ices.
Henry
David Thoreau, Wal Den, or Life in the Woods; passage highlighted in one
of the books found with Chris McCandless's remains.
At
the top of the page, the word "truth" had been written in large block
letters in McCandless's hand.
For
children are innocent and love justice, while most of us are wicked and
naturally prefer mercy. G. K.CHESTERTON
In
1986, on the sultry spring weekend that Chris graduated from Woodson High School,
Walt and Billie threw a party for him. Walt's birthday was June 10, just a few days
away, and at the party Chris gave his father a present: a very expensive
Questar telescope.
"I
remember sitting there when he gave Dad the telescope," says Carine.
"Chris
had tossed back a few drinks that night and was pretty blitzed. He got real
emotional. He was almost crying, fighting back the tears, telling Dad that even
though they'd had their differences over the years, he was grateful for all the
things Dad had done for him. Chris said how much he respected Dad for starting from
nothing, working his way through college, busting his ass to support eight
kids. It was a moving speech. Everybody there was all choked up.
And
then he left on his trip."
Walt
and Billie didn't try to prevent Chris from going, although they persuaded him to
take Walt's Texaco credit card for emergencies and exacted a promise from their
son to call home every three days.
"We had our hearts in our mouths the whole time he was gone,"
says Walt, "but there was no way to stop him."
After
leaving Virginia, Chris drove south and then west across the flat Texas plains,
through the heat of New Mexico and Arizona, and arrived at the Pacific coast.
Initially, he honored the agreement to phone regularly, but as the summer wore
on, the calls became less and less frequent. He didn't appear back home until
two days before the fall term was to start at Emory. When he walked into the
Annandale house, he had a scruffy beard, his hair was long and tangled, and
he'd shed thirty pounds from his already lean frame.
"As
soon as I heard he was home," says Carine, "I ran to his room to talk
with him. He was on the bed, asleep. He was so thin. He looked like
those paintings of Jesus on the cross. When Mom saw how much weight he'd lost,
she was a total wreck. She started cooking like mad to try and put some meat
back on his bones."
Near
the end of his trip, it turned out, Chris had gotten lost in the Mojave Desert
and had nearly succumbed to dehydration. His parents were extremely alarmed
when they heard about this brush with disaster but were unsure how to persuade
Chris to exercise more caution in the future. "Chris was good at almost
everything he ever tried," Walt reflects, "which made him supremely
overconfident. If you attempted to talk him out of something, he wouldn't
argue. He'd just nod politely and then do exactly what he wanted.
"So
at first I didn't say anything about the safety aspect. I played tennis with
Chris, talked about other things, then eventually sat down with him to discuss
the risks he'd taken. I'd learned by then that a direct approach—'By God, you
better not try a stunt like that again!'—didn't work with Chris. Instead, I
tried to explain that we didn't object to his travels; we just wanted him to be
a little more careful and to keep us better informed of his whereabouts."
To
Walt's dismay Chris bristled at this small dollop of fatherly advice. The only effect
it seemed to have was to make him even less inclined to share his plans.
"Chris,"
says Billie, "thought we were idiots for worrying about him."
During
the course of his travels, Chris had acquired a machete and a .30-06 rifle, and
when Walt and Billie drove him down to Atlanta to enroll in college, he
insisted on taking the big knife and the gun with him. "When we went with
Chris up to his dorm room," Walt laughs, "I thought his roommate's
parents were going to have a stroke on the spot. The roommate was a preppy kid
from Connecticut, dressed like" Joe College, and Chris walks in with a
scraggly beard and worn-out clothes, looking like Jeremiah Johnson, packing a
machete and a deer-hunting rifle. But you know what? Within ninety days the
preppy roommate had dropped out, while Chris had made the dean's list."
To
his parents' pleasant surprise, as the school year stretched on, Chris seemed thrilled
to be at Emory. He shaved, trimmed his hair, and readopted the clean-cut look he'd
had in high school. His grades were nearly perfect. He started writing for the
school newspaper. He even talked enthusiastically about going on to get a law
degree when he graduated. "Hey," Chris boasted to Walt at one point,
"I think my grades will be good enough to get into Harvard Law
School."
The
summer after his freshman year of college, Chris returned to Annandale and worked
for his parents' company, developing computer software. "The program he wrote
for us that summer was flawless," says Walt. "We still use it today
and have sold copies of the program to many clients. But when I asked Chris to
show me how he wrote it, to explain why it worked the way it did, he refused.
'All you need to know is that it works,' he said. 'You don't need to know how
or why.' Chris was just being Chris, but it infuriated
me. He would have made a great CIA agent—I'm serious; I know guys who work for
the CIA. He told us what he thought we needed to know and nothing more. He was
that way about everything."
Many
aspects of Chris's personality baffled his parents. He could be generous and caring
to a fault, but he had a darker side as well, characterized by monomania, impatience,
and unwavering self-absorption, qualities that seemed to intensify through his
college years.
"I
saw Chris at a party after his sophomore year at Emory," remembers Eric Hathaway,
"and it was obvious he had changed. He seemed very introverted, almost
cold. When I said 'Hey, good to see you, Chris,' his reply was cynical: 'Yeah,
sure, that's what everybody says/ It was hard to get him to open up. His
studies were the only thing he was interested in talking about. Social life at
Emory revolved around fraternities andsororities,
something Chris wanted no part of. I think when everybody started going Greek,
he kind of pulled back from his old friends and got more heavily into
himself." The summer between his sophomore and junior years Chris again
returned to Annandale and took a job delivering pizzas for Domino's. "He
didn't care that it wasn't a cool thing to do," says Carine. "He made
a pile of money. I remember he'd come home every night and do his accounting at
the kitchen table. It didn't matter how tired he was; he'd figure out how many
miles he drove, how much Domino's paid him for gas, how much gas actually cost,
his net profits for the evening, how it compared to the same evening the week
before. He kept track of everything and showed me how to do it, how to make a
business work. He didn't seem interested in the money so much as the fact that he
was good at making it. It was like a game, and the money was a way of keeping score."
Chris's
relations with his parents, which had been unusually courteous since his graduation
from high school, deteriorated significantly that summer, and Walt and Billie had
no idea why. According to Billie, "He seemed mad at us more often, and he became
more withdrawn—no, that's not the right word. Chris wasn't ever withdrawn. But
he wouldn't tell us what was on his mind and spent more time by himself."
Chris's
smoldering anger, it turns out, was fueled by a discovery he'd made two summers
earlier, during his cross-country wanderings. When he arrived in California, he'd
visited the El Se-gundo neighborhood where he'd spent the first six years of
his life. He called on a number of old family friends who still lived there,
and from their answers to his queries, Chris pieced together the facts of his
father's previous marriage and subsequent divorce—facts to which he hadn't been
privy.
Walt's
split from his first wife, Marcia, was not a clean or amicable parting. Long after
falling in love with Billie, long after she gave birth to Chris, Walt continued
his relationship with Marcia in secret, dividing his time between two
households, two families.
Lies
were told and then exposed, begetting more lies to explain away the initial deceptions.
Two years after Chris was born, Walt fathered another son—Quinn McCandless—with
Marcia. When Walt's double life came to light, the revelations inflicted deep
wounds. All parties suffered terribly.
Eventually,
Walt, Billie, Chris, and Carine moved to the East Coast. The divorce from
Marcia was at long last finalized, allowing Walt and Billie to legalize their marriage.
They all put the turmoil behind them as best they could and carried on with their
lives. Two decades went by. Wisdom accrued. The guilt and hurt and jealous fury
receded into the distant past; it appeared that the storm had been weathered.
And then in 1986, Chris drove out to El Segundo, made the rounds of the old
neighborhood, and learned about the episode in all its painful detail.
"Chris
was the sort of person who brooded about things," Carine observes.
"If something bothered him, he wouldn't come right out and say it. He'd
keep it to himself, harboring his resentment, letting the bad feelings build
and build." That seems to be what happened following the discoveries he
made in El Segundo.
Children
can be harsh judges when it comes to their parents, disinclined to grant clemency,
and this was especially true in Chris's case. More even than most teens, he tended
to see things in black and white. He measured himself and those around him by an
impossibly rigorous moral code.
Curiously,
Chris didn't hold everyone to the same exacting standards. One of the individuals
he professed to admire greatly over the last two years of his life was a heavy drinker
and incorrigible philanderer who regularly beat up his girlfriends. Chris was
well aware of this man's faults yet managed to forgive them. He was also able
to forgive, or overlook, the shortcomings of his literary heroes: Jack London
was a notorious drunk; Tolstoy, despite his famous advocacy of celibacy, had
been an enthusiastic sexual adventurer as young man and went on to father at least
thirteen children, some of whom were conceived at the same time the censorious
count was thundering in print against the evils of sex.
Like
many people, Chris apparently judged artists and close friends by their work,
not their life, yet he was temperamentally incapable of extending such lenity
to his father. Whenever Walt McCandless, in his stern fashion, would dispense a
fatherly admonishment to Chris, Carine, or their half siblings, Chris would
fixate on his father's own less than sterling behavior many years earlier and
silently denounce him as a sanctimonious hypocrite. Chris kept careful
score. And over time he worked himself into a choler of self-righteous
indignation that was impossible to keep bottled up.
After
Chris unearthed the particulars of Walt's divorce, two years passed before his anger
began to leak to the surface, but leak it eventually did. The boy could not pardon
the mistakes his father had made as a young man, and he was even less willing
to pardon the attempt at concealment. He later declared to Carine and others
that the deception committed by Walt and Billie made his "entire childhood
seem like a fiction." But he did not confront his parents with what he
knew, then or ever. He chose instead to make a secret of his dark knowledge and
express his rage obliquely, in silence and sullen withdrawal.
In
1988, as Chris's resentment of his parents hardened, his sense of outrage over injustice
in the world at large grew. That summer, Billie remembers, "Chris started complaining
about all the rich kids at Emory." More and more of the classes he took
addressed such pressing social issues as racism and world hunger and inequities
in the distribution of wealth. But despite his aversion to money and conspicuous
consumption, Chris's political leanings could not be described as liberal.
Indeed,
he delighted in ridiculing the policies of the Democratic Party and was a vocal
admirer of Ronald Reagan. At Emory he went so far as to co-found a College Republican
Club. Chris's seemingly anomalous political positions were perhaps best summed
up by Thoreau's declaration in "Civil Disobedience": "I heartily
accept the motto —'That government is best which governs least.' " Beyond
that his views were not easily characterized.
As
assistant editorial page editor of The Emory Wheel, he authored scores
of commentaries. In reading them half a decade later, one is reminded how young
McCandless was, and how passionate. The opinions he expressed in print, argued
with idiosyncratic logic, were all over the map. He lampooned Jimmy Carter and
Joe Biden, called for the resignation of Attorney General Edwin Meese,
lambasted Bible-thumpers of the Christian right, urged vigilance against the
Soviet threat, castigated the Japanese for hunting whales, and defended Jesse
Jackson as a viable presidential candidate. In a typically immoderate
declaration the lead sentence of McCandless's editorial of March 1, 1988,
reads, "We have now begun the third month of the year 1988, and already it
is shaping up to be one of the most politically corrupt and scandalous years in
modern history. . . ." Chris Morris, the editor of the paper, remembers
McCandless as "intense."
To
his dwindling number of confreres, McCandless appeared to grow more intense with
each passing month. As soon as classes ended in the spring of 1989, Chris took
his Datsun on another prolonged, extemporaneous road trip. "We only got
two cards from him the whole summer," says Walt. "The first one said,
'Headed for Guatemala.' When I read that I thought, 'Oh, my God, he's going
down there to fight for the insurrectionists. They're going to line him up in
front of a wall and shoot him.' Then toward the end of the summer, the second
card arrived, and all it said was 'Leaving Fairbanks tomorrow, see you in a
couple of weeks.' It turned out he'd changed his mind and instead of heading south
had driven to Alaska."
The
grinding, dusty haul up the Alaska Highway was Chris's first visit to the Far North.
It was an abbreviated trip—he spent a short time around Fairbanks, then hurried
south to get back to Atlanta in time for the start of fall classes—but he had
been smitten by the vastness of the land, by the ghostly hue of the glaciers,
by the pellucid subarctic sky. There was never any question that he would
return.
During
his senior year at Emory, Chris lived off campus in his bare, spartan room furnished
with milk crates and a mattress on the floor. Few of his friends ever saw him outside
of classes. A professor gave him a key for after-hours access to the library, where
he spent much of his free time. Andy Horowitz, his close high school friend and
crosscountry teammate, bumped into Chris among the stacks early one morning
just before graduation. Although Horowitz and McCandless were classmates at
Emory, it had been two years since they'd seen each other. They talked
awkwardly for a few minutes, then McCandless disappeared into a carrel.
Chris
seldom contacted his parents that year, and because he had no phone, they couldn't
easily contact him. Walt and Billie grew increasingly worried about their son's
emotional distance. In a letter to Chris, Billie implored, "You have
completely dropped away from all who love and care about you. Whatever it
is—whoever you're with—do you think this is right?" Chris saw this as
meddling and referred to the letter as "stupid" when he talked to
Carine.
"What
does she mean 'whoever I'm with'?" Chris railed at his sister. "She
must be fucking nuts. You know what I bet? I bet they think I'm a homosexual.
How did they ever get that idea? What a bunch of imbeciles."
In
the spring of 1990, when Walt, Billie, and Carine attended Chris's graduation ceremony,
they thought he seemed happy. As they watched him stride across the stage and
take his diploma, he was grinning from ear to ear. He indicated that he was
planning another extended trip but implied that he'd visit his family in
An-nandale before hitting the road. Shortly thereafter, he donated the balance
of his bank account to OXFAM, loaded up his car, and vanished from their lives.
From then on he scrupulously avoided contacting either his parents or Carine,
the sister for whom he purportedly cared immensely.
"We
were all worried when we didn't hear from him," says Carine, "and I
think my parents' worry was mixed with hurt and anger. But I didn't really feel
hurt by his failure to write. I knew he was happy and doing what he wanted to
do; I understood that it was important for him to see how independent he could
be. And he knew that if he'd written or called me, Mom and Dad would find out
where he was, fly out there, and try to bring him home."
Walt
does not deny this. "There's no question in my mind," he says.
"If we'd had any idea where to look—OK—I would have gone there in a flash,
gotten a lock on his where abouts, and brought our boy home."
As
months passed without any word of Chris—and then years—the anguish mounted. Billie
never left the house without leaving a note for Chris posted on the door.
"Whenever
we were out driving and saw a hitchhiker," she says, "if he looked
anything like Chris, we'd turn around and circle back. It was a terrible time.
Night was the worst, especially when it was cold and stormy. You'd wonder,
'Where is he? Is he warm? Is he hurt? Is he lonely? Is he OK?' "
In
July 1992, two years after Chris left Atlanta, Billie was asleep in Chesapeake Beach
when she sat bolt upright in the middle of the night, waking Walt. "I was
sure I'd heard Chris calling me," she insists, tears rolling down her
cheeks. "I don't know how I'll ever get over it. I wasn't dreaming. I
didn't imagine it. I heard his voice! He was begging, 'Mom! Help me!' But I
couldn't help him because I didn't know where he was. And that was all he said:
'Mom! Help me!'"
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