Into The Wild : The Stikine Ice Cap

Chapter XIV : THE STIKINE ICE CAP

/grew up exuberant in body but with a nervy, craving mind. It was wanting something more, something tangible. It sought for reality intensely, always as if it were not there... But you see at once what I do. I climb.

John Menlove Edwards, "Letter from a Man"

/cannot now tell exactly, it was so long ago, under what circumstances I first ascended, only that I shuddered as I went along (I have an indistinct remembrance of having been out overnight alone),—and then I steadily ascended along a rocky ridge half clad with stinted trees, where wild beasts haunted, till I lost myself quite in the upper air and clouds, seeming to pass an imaginary line which separates a hill, mere earth heaped up, from a mountain, into a superterranean grandeur and sublimity. What distinguishes that summit above the earthly line, is that it is unhandselled, awful, grand. It can never become familiar; you are lost the moment you set foot there. You know the path, but wander, thrilled, over the bare and pathless rock, as if it were solidified air and cloud. That rocky, misty summit, secreted in the clouds, was far more thrillingly awful and sublime than the crater of a volcano spouting fire.

Henry David Thoreau, Journal

In the final postcard he sent to Wayne Westerberg, McCandless had written, "If this adventure proves fatal and you don't ever hear from me again I want you to know you're a great man. I now walk into the wild." When the adventure did indeed prove fatal, this melodramatic declaration fueled considerable speculation that the boy had been bent on suicide from the beginning, that when he walked into the bush, he had no intention of ever walking out again. I'm not so sure, however.

My suspicion that McCandless's death was unplanned, that it was a terrible accident, comes from reading those few documents he left behind and from listening to the men and women who spent time with him over the final year of his life. But my sense of Chris McCandless's intentions comes, too, from a more personal perspective.

As a youth, I am told, I was willful, self-absorbed, intermittently reckless, moody. I disappointed my father in the usual ways. Like McCandless, figures of male authority aroused in me a confusing medley of corked fury and hunger to please. If something captured my undisciplined imagination, I pursued it with a zeal bordering on obsession, and from the age of seventeen until my late twenties that something was mountain climbing.

I devoted most of my waking hours to fantasizing about, and then undertaking, ascents of remote mountains in Alaska and Canada—obscure spires, steep and frightening, that nobody in the world beyond a handful of climbing geeks had ever heard of. Some good actually came of this. By fixing my sights on one summit after another, I managed to keep my bearings through some thick post adolescent fog. Climbing mattered.

The danger bathed the world in a halogen glow that caused everything—the sweep of the rock, the orange and yellow lichens, the texture of the clouds—to stand out in brilliant relief. Life thrummed at a higher pitch. The world was made real.

In 1977, while brooding on a Colorado barstool, picking unhappily at my existential scabs, I got it into my head to climb a mountain called the Devils Thumb. An intrusion of diorite sculpted by ancient glaciers into a peak of immense and spectacular proportions, the Thumb is especially imposing from the north: Its great north wall, which had never been climbed, rises sheer and clean for six thousand feet from the glacier at its base, twice the height of Yosemite's El Capitan. I would go to Alaska, ski inland from the sea across thirty miles of glacial ice, and ascend this mighty ordwand. I decided, moreover, to do it alone.

I was twenty-three, a year younger than Chris McCandless when he walked into the Alaska bush. My reasoning, if one can call it that, was inflamed by the scattershot passions of youth and a literary diet overly rich in the works of Nietzsche, Ker-ouac, and John Menlove Edwards, the latter a deeply troubled writer and psychiatrist who, before putting an end to his life with a cyanide capsule in 1958, had been one of the preeminent British rock climbers of the day. Edwards regarded climbing as a "psycho neurotic tendency"; he climbed not for sport but to find refuge from the inner torment that framed his existence.

As I formulated my plan to climb the Thumb, I was dimly aware that I might be getting in over my head. But that only added to the scheme's appeal. That it wouldn't be easy was the whole point. I owned a book in which there was a photograph of the Devils Thumb, a black-and white image taken by an eminent glaciolo-gist named Maynard Miller. In Miller's aerial photo the mountain looked particularly sinister: a huge fin of exfoliated stone, dark and smeared with ice. The picture held an almost pornographic fascination for me. How would it feel, I wondered, to be balanced on that bladelike summit ridge, worrying over the storm clouds building in the distance, hunched against the wind and dunning cold, contemplating the drop on either side? Could a person keep a lid on his terror long enough to reach the top and get back down?

And if I did pull it off ... I was afraid to let myself imagine the triumphant aftermath, lest I invite a jinx. But I never had any doubt that climbing the Devils Thumb would transform my life. How could it not?

I was working then as an itinerant carpenter, framing condominiums in Boulder for $3.50 an hour. One afternoon, after nine hours of humping two-by-tens and driving sixteen-penny nails, I told my boss I was quitting: "No, not in a couple of weeks, Steve; right now was more like what I had in mind." It took me a few hours to clear my tools and other belongings out of the crummy job-site trailer where I'd been squatting. And then I climbed into my car and departed for Alaska. I was surprised, as always, by how easy the act of leaving was, and how good it felt. The world was suddenly rich with possibility.

The Devils Thumb demarcates the Alaska-British Columbia border east of Petersburg, a fishing village accessible only by boat or plane. There was regular jet service to Petersburg, but the sum of my liquid assets amounted to a 1960 Pontiac Star Chief and two hundred dollars in cash, not even enough for one-way airfare. So I drove as far as Gig Harbor, Washington, abandoned the car, and inveigled a ride on a northbound salmon seiner.

The Ocean Queen was a stout, no-nonsense workboat built from thick planks of Alaska yellow cedar, rigged for long-lining and purse seining. In exchange for a ride north, I had only to take regular turns at the helm—a four-hour wheel watch every twelve hours—and help tie endless skates of halibut gear. The slow journey up the Inside Passage unfolded in a gauzy reverie of anticipation. I was under way, propelled by an

imperative that was beyond my ability to control or comprehend. Sunlight glinted off the water as we chugged up the Strait of Georgia. Slopes rose precipitously from the water's edge, bearded in a gloom of hemlock and cedar and devil's club. Gulls wheeled overhead. Off Malcolm Island the boat split a pod of seven orcas. Their dorsal fins, some as tall as a man, cut the glassy surface within spitting distance of the rail. Our second night out, two hours before dawn, I was steering from the flying bridge when the head of a mule deer materialized in the spotlight's glare. The animal was in the middle of Fitz Hugh Sound, swimming through the cold black water more than a mile from the Canadian shore. Its retinas burned red in the blinding beam; it looked exhausted and crazed with fear. I swung the wheel to starboard, the boat slid past, and the deer bobbed twice in our wake before vanishing into the darkness.

Most of the Inside Passage follows narrow, fjord like channels. As we passed Dundas Island, though, the vista suddenly widened. To the west now was open ocean, the full sweep of the Pacific, and the boat pitched and rolled on a twelve-foot westerly swell. Waves broke over the rail. In the distance off the starboard bow, a jumble of low, craggy peaks appeared, and my pulse quickened at the sight. Those mountains heralded the approach of my desideratum. We had arrived in Alaska.

Five days out of Gig Harbor, the Ocean Queen docked in Petersburg to take on fuel and water. I hopped over the gunwale, shouldered my heavy backpack, and walked down the pier in the rain. At a loss for what to do next, I took refuge under the eaves of the town library and sat on my load.

Petersburg is a small town, and prim by Alaska standards. A tall, loose-limbed woman walked by and struck up a conversation. Her name was Kai, she said, Kai Sandburn. She was cheerful, outgoing, easy to talk to. I confessed my climbing plans to her, and to my relief she neither laughed nor acted as though they were particularly strange. "When the weather's clear," she simply offered, "you can see the Thumb from town. It's pretty. It's over there, right across Frederick Sound." I followed her outstretched arm, which gestured to the east, at a low wall of clouds.

Kai invited me home for dinner. Later I unrolled my sleeping bag on her floor. Long after she fell asleep, I lay awake in the next room, listening to her peaceful exhalations. I had convinced myself for many months that I didn't really mind the absence of intimacy in my life, the lack of real human connection, but the pleasure I'd felt in this woman's company—the ring of her laughter, the innocent touch of a hand on my arm—exposed my self-deceit and left me hollow and aching.

Petersburg lies on an island; the Devils Thumb is on the mainland, rising from a frozen bald known as the Stikine Ice Cap. Vast and labyrinthine, the ice cap rides the spine of the Boundary Ranges like a carapace, from which the long blue tongues of numerous glaciers inch down toward the sea under the weight of the ages. To reach the foot of the mountain, I had to find a ride across twenty-five miles of saltwater and then ski thirty miles up one of these glaciers, the Baird, a valley of ice that hadn't seen a human footprint, I was fairly certain, in many, many years.

I shared a ride with some tree planters to the head of Thomas Bay, where I was put ashore on a gravel beach. The broad, rubble-strewn terminus of the glacier was visible a mile away. Half an hour later I scrambled up its frozen snout and began the long plod to the Thumb. The ice was bare of snow and embedded with a coarse black grit that crunched beneath the steel points of my crampons.

After three or four miles I came to the snow line and there exchanged crampons for skis. Putting the boards on my feet cut fifteen pounds from the awful load on my back and made the going faster besides. But the snow concealed many of the glaciers crevasses, increasing the danger.

In Seattle, anticipating this hazard, I'd stopped at a hardware store and purchased a pair of stout aluminum curtain rods, each ten feet long. I lashed the rods together to form a cross, then strapped the rig to the hip belt of my backpack so the poles extended horizontally over the snow. Staggering slowly up the glacier beneath my overloaded pack, bearing this ridiculous metal cross, I felt like an odd sort of penitente. Were I to break through the veneer of snow over a hidden crevasse, though, the curtain rods would —I hoped mightily—span the slot and keep me from dropping into the frozen depths of the Baird.

For two days I slogged steadily up the valley of ice. The weather was good, the route obvious and without major obstacles. Because I was alone, however, even the mundane seemed charged with meaning. The ice looked colder and more mysterious, the sky a cleaner shade of blue. The unnamed peaks towering over the glacier were bigger and comelier and infinitely more menacing than they would have been were I in the company of another person. And my emotions were similarly amplified: The highs were higher; the periods of despair were deeper and darker. To a self-possessed young man inebriated with the unfolding drama of his own life, all of this held enormous appeal.

Three days after leaving Petersburg, I arrived beneath the Stikine Ice Cap proper, where the long arm of the Baird joins the main body of ice. Here the glacier spills abruptly over the edge of a high plateau, dropping seaward through a gap between two mountains in a phantasmagoria of shattered ice. As I stared at the tumult from a mile away, for the first time since leaving Colorado, I was truly afraid.

The icefall was crisscrossed with crevasses and tottering se-racs. From afar it brought to mind a bad train wreck, as if scores of ghostly white boxcars had derailed at the lip of the ice cap and tumbled down the slope willy-nilly. The closer I got, the more unpleasant it looked. My ten-foot curtain rods seemed a poor defense against crevasses that were forty feet across and hundreds of feet deep. Before I could plot a logical course through the icefall, the wind came up, and snow began to slant hard out of the clouds, stinging my face and reducing visibility to almost nothing.

For the better part of the day, I groped blindly through the labyrinth in the whiteout, retracing my steps from one dead end to another. Time after time I'd think I'd found a way out, only to wind up in a deep-blue cul-de-sac or stranded atop a detached pillar of ice. My efforts were lent a sense of urgency by the noises emanating from beneath my feet. A madrigal of creaks and sharp reports—the sort of protest a large fir limb makes when it's slowly bent to the breaking point—served as a reminder that it is the nature of glaciers to move, the habit of seracs to topple.

I put a foot through a snow bridge spanning a slot so deep I couldn't see the bottom of it. A little later I broke through another bridge to my waist; the poles kept me out of the hundred-foot crevasse, but after I extricated myself, I bent double with dry heaves, thinking about what it would be like to be lying in a pile at the bottom of the crevasse, waiting for death to come, with nobody aware of how or where I'd met my end. Night had nearly fallen by the time I emerged from the top of the serac slope onto the empty, wind-scoured expanse of the high glacial plateau. In shock and chilled to the core, I skied far enough past the icefall to put its rumblings out of earshot, pitched the tent, crawled into my sleeping bag, and shivered myself into a fitful sleep.

I had planned on spending between three weeks and a month on the Stikine Ice Cap. Not relishing the prospect of carrying a four-week load of food, heavy winter camping gear, and climbing hardware all the way up the Baird on my back, I had paid a bush pilot in Petersburg $150—the last of my cash—to have six cardboard cartons of supplies dropped from an airplane when I reached the foot of the Thumb. On his map I'd showed the pilot exactly where I intended to be and told him to give me three days to get there; he promised to fly over and make the drop as soon thereafter as the weather permitted.

On May 6,1 set up a base camp on the ice cap just northeast of the Thumb and waited for the airdrop. For the next four days it snowed, nixing any chance for a flight. Too terrified of crevasses to wander far from camp, I spent most of my time recumbent in the tent—the ceiling was too low to allow my sitting upright— fighting a rising chorus of

doubts.

As the days passed, I grew increasingly anxious. I had no radio nor any other means of communicating with the outside world. It had been many years since anyone had visited this part of the Stikine Ice Cap, and many more would likely pass before anyone would again. I was nearly out of stove fuel and down to a single chunk of cheese, my last package of Ramen noodles, and half a box of Cocoa Puffs. This, I figured, could sustain me for three or four more days if need be, but then what would I do? It would take only two days to ski back down the Baird to Thomas Bay, but a week or more might easily pass before a fisherman happened by who could give me a lift back to Petersburg (the tree planters with whom I'd ridden over were camped fifteen miles down the impassable headland-studded coast and could be reached only by boat or plane).

When I went to bed on the evening of May 10, it was still snowing and blowing hard. Hours later I heard a faint, momentary whine, scarcely louder than a mosquito. I tore open the tent door. Most of the clouds had lifted, but there was no airplane in sight. The whine returned, more insistently this time. Then I saw it: a tiny red-and-white fleck high in the western sky, droning my way. A few minutes later the plane passed directly overhead. The pilot, however, was unaccustomed to glacier flying, and he'd badly misjudged the scale of the terrain.

Worried about flying too low and getting nailed by unexpected turbulence, he stayed at least a thousand feet above me—believing all the while he was just off the deck—and never saw my tent in the flat evening light. My waving and screaming were to no avail; from his altitude, I was indistinguishable from a pile of rocks. For the next hour he circled the ice cap, scanning its barren contours without success. But the pilot, to his credit, appreciated the gravity of my predicament and didn't give up. Frantic, I tied my sleeping bag to the end of one of the curtain rods and waved it for all I was worth. The plane banked sharply and headed straight at me.

The pilot buzzed my tent three times in quick succession, dropping two boxes on each pass; then the airplane disappeared over a ridge, and I was alone. As silence again settled over the glacier, I felt abandoned, vulnerable, lost. I realized that I was sobbing. Embarrassed, I halted the blubbering by screaming obscenities until I grew hoarse. I awoke early on May 11 to clear skies and the relatively warm temperature of twenty degrees Fahrenheit. Startled by the good weather, mentally unprepared to commence the actual climb, I hurriedly packed up a rucksack nonetheless and began skiing toward the base of the Thumb. Two previous Alaska expeditions had taught me that I couldn't afford to waste a rare day of perfect weather.

A small hanging glacier extends out from the lip of the ice cap, leading up and across the north face of the Thumb like a catwalk. My plan was to follow this catwalk to a prominent rock prow in the center of the wall and thereby execute an end run around the ugly, avalanche-swept lower half of the face.

The catwalk turned out to be a series of fifty-degree ice fields blanketed with kneedeep powder snow and riddled with crevasses. The depth of the snow made the going slow and exhausting; by the time I front-pointed up the overhanging wall of the uppermost bergschrund, some three or four hours after leaving camp, I was thrashed. And I hadn't even gotten to the real climbing yet. That would begin immediately above, where the hanging glacier gives way to vertical rock.

The rock, exhibiting a dearth of holds and coated with six inches of crumbly rime, did not look promising, but just left of the main prow was a shallow corner glazed with frozen meltwa-ter. This ribbon of ice led straight up for three hundred feet, and if the ice proved substantial enough to support the picks of my ice axes, the route might be feasible. I shuffled over to the bottom of the corner and gingerly swung one of my tools into the two-inch-thick ice. Solid and plastic, it was thinner than I would have liked but otherwise encouraging.

The climbing was steep and so exposed it made my head spin. Beneath my Vibram soles the wall fell away for three thousand feet to the dirty, avalanche-scarred cirque of the Witches Cauldron Glacier. Above, the prow soared with authority toward the summit ridge, a vertical half mile above. Each time I planted one of my ice axes, that distance shrank by another twenty inches.

All that held me to the mountainside, all that held me to the world, were two thin spikes of chrome molybdenum stuck half an inch into a smear of frozen water, yet the higher I climbed, the more comfortable I became. Early on a difficult climb, especially a difficult solo climb, you constantly feel the abyss pulling at your back. To resist takes a tremendous conscious effort; you don't dare let your guard down for an instant. The siren song of the void puts you on edge; it makes your movements tentative, clumsy, herkyjerky.

But as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control.

By and by your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trance like state settles over your efforts; the climb becomes a clear-eyed dream.

Hours slide by like minutes. The accumulated clutter of day-today existence—the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes—all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand.

At such moments something resembling happiness actually stirs in your chest, but it isn't the sort of emotion you want to lean on very hard. In solo climbing the whole enterprise is held together with little more than chutzpah, not the most reliable adhesive. Late in the day on the north face of the Thumb, I felt the glue disintegrate with a swing of an ice ax.

I'd gained nearly seven hundred feet of altitude since stepping off the hanging glacier, all of it on crampon front points and the picks of my axes. The ribbon of frozen meltwater had ended three hundred feet up and was followed by a crumbly armor of frost feathers. Though just barely substantial enough to support body weight, the rime was plastered over the rock to a thickness of two or three feet, so I kept plugging upward. The wall, however, had been growing imperceptibly steeper, and as it did so, the frost feathers became thinner. I'd fallen into a slow, hypnotic rhythm—swing, swing; kick, kick; swing, swing; kick, kick— when my left ice ax slammed into a slab of diorite a few inches beneath the rime.

I tried left, then right, but kept striking rock. The frost feathers holding me up, it became apparent, were maybe five inches thick and had the structural integrity of stale corn bread. Below was thirty-seven hundred feet of air, and I was balanced on a house of cards. The sour taste of panic rose in my throat. My eyesight blurred, I began to hyperventilate, my calves started to shake. I shuffled a few feet farther to the right, hoping to find thicker ice, but managed only to bend an ice ax on the rock.

Awkwardly, stiff with fear, I started working my way back down. The rime gradually thickened. After descending about eighty feet, I got back on reasonably solid ground. I stopped for a long time to let my nerves settle, then leaned back from my tools and stared up at the face above, searching for a hint of solid ice, for some variation in the underlying rock strata, for anything that would allow passage over the frosted slabs. I looked until my neck ached, but nothing appeared. The climb was over. The only place to go was down.